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Size: Movie-size Cel (Approx. 13.5" x 9.0")
Included: Layer 1 - Boy cel
Layer 2 - Girl cel
Layer 3 - Background overlay cel
Original Matching Hand-painted Background
Film/Show: Angel's Egg
Source/Appeared in: -
Original Broadcast Year: 1985
Studio/Publication: Studio Deen
Created by: Oshii Mamoru
Condition Notes: The entire cel is warped, especially around the painted area, but there is no vinegar scent present. The 3rd image was taken by a scanner and emphasizes the warping a lot more than images taken by cameras. The 4th image of the framed cel was taken by a smart phone with no editing or filters.
Description: An incredibly rare and precious production cel with both of the main characters from the epitome of Avant-garde fantasy film created by an iconic anime director Oshii Mamoru, in collaboration with legendary artist and scenic/character designer Amano Yoshitaka!
The film was made a few years before the famous Final Fantasy video game series was released, and the artistic style is definitely reminiscent of the early titles as the Boy looks almost identical to Frioniel, the main character from Final Fantasy II released in 1988. The atmosphere and backgrounds inspired by a French book about architecture owned by Oshii are also very simlar to the Medieval European-theme of the early Final Fantasy games. Oshii Mamoru was initially intending on making this film far more light-hearted with a comedic touch in the beginning stage of the production, where a young girl holding an egg suddenly arrives at a convenience store late at night, with strange people loitering around the area. However, as soon as the young Oshii got a glance of the artwork by Amano Yoshitaka, he immediately knew that "this has to be done as a full-blown fantasy film."
While the result was undoubtedly a masterpiece, it was far too esoteric to be accepted by the general public, subsequently leading to Oshii losing all job prospects for the foreseeable future due to earning a reputation of "a director who makes incomprehensible films," as even Miyazaki Hayao has commented about the film "I will recognize the effort, but nobody will understand it." The recognition took even longer due to the lack of access until the relatively-recent DVD release, but it is safe to say this film is a proof that a masterpiece will sooner or later be properly recognized and appreciated, as long as it isn't hidden and forgotten! Truly the pinnacle of Japanese animation as an art, and a product of the inspiring sacrifice and uncompromising dedication Oshii has put into executing this film in his own vision.
$3,500.00
Size: Standard Size Cel (Approx. 10.5" x 9.125" )
Included: Layer 1 - Alphonse and Saturn cel
Printed acid-free background made by TCG
Douga Pencil Sketch
Film/Show: Mobile Police Patlabor 機動警察パトレイバー
Source/Appeared in: Opening Theme Song Condition Green (used in the second half of TV episodes and most of the New OVA episodes)
Original Broadcast Year: 1993
Studio/Publication: Studio Deen
Created by: Headgear
Condition Notes: -
Description: Absolutely incredible cel of the AV-98 Ingram nicknamed Alphonse and piloted by the main character, and SR-70 Saturn which feature one of the most clean-cut styling of all of the military/police labors. A very rare OP cel from the very popular OP theme song Condition Green, which makes this amazingly detailed and dynamic action shot even better by a long shot!
$2,500.00 $3,500.00
Size: Movie-size Cel (Approx. 13.5" x 9.0")
Included: Layer 1 - Girl hair cel
Layer 2 - Girl and Button cel
Film/Show: Angel's Egg
天使のたまご 色見本セル画
Source/Appeared in: -
Original Broadcast Year: 1985
Studio/Publication: Studio Deen
Created by: Oshii Mamoru
Condition Notes: Both layers stuck
Description: An incredibly rare and precious color proof/character model cel of the Girl and the bag she's holding in the beginning! Very interesting to see how the prominent white hair of the Girl was drawn on an overlay layer even in the model sheet, providing incredible depth and movement in each strand of the white hair. Upon further research, the handwriting of names and color codes seem to be written by the animation director Nakura Yasuhiro, and most likely the original sketches for these proof cels as well!
Used in the production of the epitome of Avant-garde fantasy film created by an iconic anime director Oshii Mamoru, in collaboration with legendary artist and scenic/character designer Amano Yoshitaka.
The film was made a few years before the famous Final Fantasy video game series was released, and the artistic style is definitely reminiscent of the early titles as the Boy looks almost identical to Frioniel, the main character from Final Fantasy II released in 1988. The atmosphere and backgrounds inspired by a French book about architecture owned by Oshii are also very simlar to the Medieval European-theme of the early Final Fantasy games. Oshii Mamoru was initially intending on making this film far more light-hearted with a comedic touch in the beginning stage of the production, where a young girl holding an egg suddenly arrives at a convenience store late at night, with strange people loitering around the area. However, as soon as the young Oshii got a glance of the artwork by Amano Yoshitaka, he immediately knew that "this has to be done as a full-blown fantasy film."
While the result was undoubtedly a masterpiece, it was far too esoteric to be accepted by the general public, subsequently leading to Oshii losing all job prospects for the foreseeable future due to earning a reputation of "a director who makes incomprehensible films," as even Miyazaki Hayao has commented about the film "I will recognize the effort, but nobody will understand it." The recognition took even longer due to the lack of access until the relatively-recent DVD release, but it is safe to say this film is a proof that a masterpiece will sooner or later be properly recognized and appreciated, as long as it isn't hidden and forgotten! Truly the pinnacle of Japanese animation as an art, and a product of the inspiring sacrifice and uncompromising dedication Oshii has put into executing this film in his own vision.
$2,200.00 $2,800.00
Size: Movie-size Cel (Approx. 13.5" x 9.0")
Included: Layer 1 - Girl cel
Black acid/lignin-free background paper
Douga pencil sketch
Film/Show: Angel's Egg
Source/Appeared in: -
Original Broadcast Year: 1985
Studio/Publication: Studio Deen
Created by: Oshii Mamoru
Condition Notes: Very slight waving on the top-center and left-center edges of the cel, but the cel has been stabilized by Cel Oasis and we cannot sense any vinegar smell
Description: An incredibly rare and precious production cel with an extreme close-up of the main character, that really shows the incredible skill levels of both the animator and the cel painter, from the epitome of Avant-garde fantasy film created by an iconic anime director Oshii Mamoru, in collaboration with legendary artist and scenic/character designer Amano Yoshitaka!
The film was made a few years before the famous Final Fantasy video game series was released, and the artistic style is definitely reminiscent of the early titles as the Boy looks almost identical to Frioniel, the main character from Final Fantasy II released in 1988. The atmosphere and backgrounds inspired by a French book about architecture owned by Oshii are also very simlar to the Medieval European-theme of the early Final Fantasy games. Oshii Mamoru was initially intending on making this film far more light-hearted with a comedic touch in the beginning stage of the production, where a young girl holding an egg suddenly arrives at a convenience store late at night, with strange people loitering around the area. However, as soon as the young Oshii got a glance of the artwork by Amano Yoshitaka, he immediately knew that "this has to be done as a full-blown fantasy film."
While the result was undoubtedly a masterpiece, it was far too esoteric to be accepted by the general public, subsequently leading to Oshii losing all job prospects for the foreseeable future due to earning a reputation of "a director who makes incomprehensible films," as even Miyazaki Hayao has commented about the film "I will recognize the effort, but nobody will understand it." The recognition took even longer due to the lack of access until the relatively-recent DVD release, but it is safe to say this film is a proof that a masterpiece will sooner or later be properly recognized and appreciated, as long as it isn't hidden and forgotten! Truly the pinnacle of Japanese animation as an art, and a product of the inspiring sacrifice and uncompromising dedication Oshii has put into executing this film in his own vision.
$2,000.00 $3,000.00
Size: Movie-size Cel (Approx. 13.5" x 9.0")
Included: Layer 1 - Girl hair cel
Layer 2 - Girl and Bag cel
Film/Show: Angel's Egg
天使のたまご 色見本セル画
Source/Appeared in: -
Original Broadcast Year: 1985
Studio/Publication: Studio Deen
Created by: Oshii Mamoru
Condition Notes: -
Description: An incredibly rare and precious color proof/character model cel of the Girl and the bag she's holding in the beginning! Very interesting to see how the prominent white hair of the Girl was drawn on an overlay layer even in the model sheet, providing incredible depth and movement in each strand of the white hair. Upon further research, the handwriting of names and color codes seem to be written by the animation director Nakura Yasuhiro, and most likely the original sketches for these proof cels as well!
Used in the production of the epitome of Avant-garde fantasy film created by an iconic anime director Oshii Mamoru, in collaboration with legendary artist and scenic/character designer Amano Yoshitaka.
The film was made a few years before the famous Final Fantasy video game series was released, and the artistic style is definitely reminiscent of the early titles as the Boy looks almost identical to Frioniel, the main character from Final Fantasy II released in 1988. The atmosphere and backgrounds inspired by a French book about architecture owned by Oshii are also very simlar to the Medieval European-theme of the early Final Fantasy games. Oshii Mamoru was initially intending on making this film far more light-hearted with a comedic touch in the beginning stage of the production, where a young girl holding an egg suddenly arrives at a convenience store late at night, with strange people loitering around the area. However, as soon as the young Oshii got a glance of the artwork by Amano Yoshitaka, he immediately knew that "this has to be done as a full-blown fantasy film."
While the result was undoubtedly a masterpiece, it was far too esoteric to be accepted by the general public, subsequently leading to Oshii losing all job prospects for the foreseeable future due to earning a reputation of "a director who makes incomprehensible films," as even Miyazaki Hayao has commented about the film "I will recognize the effort, but nobody will understand it." The recognition took even longer due to the lack of access until the relatively-recent DVD release, but it is safe to say this film is a proof that a masterpiece will sooner or later be properly recognized and appreciated, as long as it isn't hidden and forgotten! Truly the pinnacle of Japanese animation as an art, and a product of the inspiring sacrifice and uncompromising dedication Oshii has put into executing this film in his own vision.